Growing up in Palo Alto, CA, Jacob Rosenberg had a passion for skateboarding. As the years progressed, Jacob also discovered he had a passion for filmmaking. When the opportunity to combine the two presented itself, Jacob jumped at the chance. As Partner, Chief Technology Officer and Director of LA based Bandito Brothers, a full service media company that creates, produces, manages and distributes audio/visual content, Jacob seized the opportunity to spearhead and direct the sophisticated, heartfelt and visceral documentary "Waiting for Lightning" about longtime friend and skateboarding legend Danny Way.
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Sorenson Media and Sony Creative Software have formed a new partnership to offer the Sorenson Squeeze video encoding software to video professionals through the Sony Online Store. With this offering, video professionals will benefit from combined workflow capabilities of Squeeze and Sony Vegas Pro, including access to Squeeze 8.5?s professional features.
Read More
Chances are, you've adopted a smart phone and maybe a tablet into your daily life. And if you've chosen the Apple iPhone or iPad as your weapon of choice in your production pipeline there's a lot more that you can be doing with it to help you out during your filmmaking process. Hand Held Hollywood's Taz Goldstein has written the ultimate app guide for every moviemaker with mobile devices. (It's not just about shooting with your device!)
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Cultural heritage is a community's legacy. Something we live with today, and what society will eventually pass on to future generations. Acting as custodians of the past, archive centers around the world are tasked with not only storing content, but also making it accessible. Groningen Audio Visueel Archief (GAVA) is one such facility in the Netherlands responsible for looking after more than 24,000 audiovisual items relating to the region of Groningen, which are kept on formats varying from nitrate film base to digibeta. Founded in 1992 as the second regional AV archive in the Netherlands, GAVA specializes in cataloging and preserving sound and video programs about the province of Groningen, as well as productions created by residents from Groningen. In addition to acting as a repository, the center is also tasked with making all of its archived footage available to broadcasters, artists, museum organizations and businesses online.
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The Andy Roddick Foundation (AFR) believes talent is universal but opportunity is not, which is why the nonprofit's goal is to provide all children with a support system that gives them hope for a brighter future. To achieve this goal, ARF has raised more than $10 million since inception to fund programs improving the daily lives of thousands of children. While ARF runs and supports programs that enhance educational and economic opportunities for thousands of children throughout the United States, the nonprofit is headquartered in the city Andy Roddick calls home: Austin, Texas. To help increase awareness and support for its local initiatives, AFR turned to Austin based production company The Delivery Men to create the "This Is" promotional film for its 2012 Andy Roddick Foundation Gala in Austin.
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The Third Shift is, at first glance, a story told through images in a calendar. But it's only part of a larger tale. The calendar is just a sample imagery found in the monthly stories that appear from the minds at Cryptonym Media, projected through eerie stereoscopic compositing. The creative writing and compositing are packaged into a tactile, technological, and interactive experience.
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A call was heard in New York that echoed around the world" was the emotional theme of a video produced by Sweet Sadie, Inc. for Disney Theatrical Productions commemorating the 15th anniversary of "The Lion King's" debut on Broadway. Disney provided the studio with a massive trove of stills and videos tracing the far-flung 15-year history of the show from which to draw. Employing After Effects, the Sweet Sadie team set about to bring this material to life by animating cast and crew images against new backgrounds, such as show set photography and crowd scenes complete with flash bulbs popping. 2.5D techniques were used to "cut out" foregrounds from backgrounds to stunning effect.
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Tutorial:
By Diana Weynand, James Alguire and RevUpTansmedia
One of the most missed features of legacy Final Cut Pro is persistent in and out marks. That is to say, once in and out marks are set in a clip, they remain exactly where they are, as a part of the clip, until explicitly changed or removed. Unfortunately, this arguably essential feature for digital video editing did not make it into Final Cut Pro X. If you set in and out points on a clip then deselect that clip and reselect it, the in and out marks are gone. While it is true that you can use ratings, like Favorites, in FCPX to create persistent clip selections, in and out points have valuable uses beyond just marking a usable portion of a video clip.
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Rss
Sorenson Media and Sony Creative Software have formed a new partnership to offer the Sorenson Squeeze video encoding software to video professionals through the Sony Online Store. With this offering, video professionals will benefit from combined workflow capabilities of Squeeze and Sony Vegas Pro, including access to Squeeze 8.5?s professional features.
Read More
Chances are, you've adopted a smart phone and maybe a tablet into your daily life. And if you've chosen the Apple iPhone or iPad as your weapon of choice in your production pipeline there's a lot more that you can be doing with it to help you out during your filmmaking process. Hand Held Hollywood's Taz Goldstein has written the ultimate app guide for every moviemaker with mobile devices. (It's not just about shooting with your device!)
Read More
Cultural heritage is a community's legacy. Something we live with today, and what society will eventually pass on to future generations. Acting as custodians of the past, archive centers around the world are tasked with not only storing content, but also making it accessible. Groningen Audio Visueel Archief (GAVA) is one such facility in the Netherlands responsible for looking after more than 24,000 audiovisual items relating to the region of Groningen, which are kept on formats varying from nitrate film base to digibeta. Founded in 1992 as the second regional AV archive in the Netherlands, GAVA specializes in cataloging and preserving sound and video programs about the province of Groningen, as well as productions created by residents from Groningen. In addition to acting as a repository, the center is also tasked with making all of its archived footage available to broadcasters, artists, museum organizations and businesses online.
Read More
The Andy Roddick Foundation (AFR) believes talent is universal but opportunity is not, which is why the nonprofit's goal is to provide all children with a support system that gives them hope for a brighter future. To achieve this goal, ARF has raised more than $10 million since inception to fund programs improving the daily lives of thousands of children. While ARF runs and supports programs that enhance educational and economic opportunities for thousands of children throughout the United States, the nonprofit is headquartered in the city Andy Roddick calls home: Austin, Texas. To help increase awareness and support for its local initiatives, AFR turned to Austin based production company The Delivery Men to create the "This Is" promotional film for its 2012 Andy Roddick Foundation Gala in Austin.
Read More
The Third Shift is, at first glance, a story told through images in a calendar. But it's only part of a larger tale. The calendar is just a sample imagery found in the monthly stories that appear from the minds at Cryptonym Media, projected through eerie stereoscopic compositing. The creative writing and compositing are packaged into a tactile, technological, and interactive experience.
Read More
A call was heard in New York that echoed around the world" was the emotional theme of a video produced by Sweet Sadie, Inc. for Disney Theatrical Productions commemorating the 15th anniversary of "The Lion King's" debut on Broadway. Disney provided the studio with a massive trove of stills and videos tracing the far-flung 15-year history of the show from which to draw. Employing After Effects, the Sweet Sadie team set about to bring this material to life by animating cast and crew images against new backgrounds, such as show set photography and crowd scenes complete with flash bulbs popping. 2.5D techniques were used to "cut out" foregrounds from backgrounds to stunning effect.
Read More
One of the most missed features of legacy Final Cut Pro is persistent in and out marks. That is to say, once in and out marks are set in a clip, they remain exactly where they are, as a part of the clip, until explicitly changed or removed. Unfortunately, this arguably essential feature for digital video editing did not make it into Final Cut Pro X. If you set in and out points on a clip then deselect that clip and reselect it, the in and out marks are gone. While it is true that you can use ratings, like Favorites, in FCPX to create persistent clip selections, in and out points have valuable uses beyond just marking a usable portion of a video clip.
Read More
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