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da Vinci Reaches New Milestone in Color Grading With Support for RED Raw FilesNew Digital PowerHouse(TM) Provides RED Raw Access, Grading, and Recording Direct From Shared Storage (March 17, 2009)
The integration of Digital PowerHouse with da Vinci's existing technologies now allows colorists to read RED Raw files directly from shared storage and then decode, debayer, grade, and record to tape without rendering. This eliminates the need for an interim DPX conversion step, low-quality non-debayered workflows, or time-consuming selective debayering.
"da Vinci's Digital PowerHouse is a significant leap forward for digital motion picture grading," said Dean Lyon, da Vinci Systems' vice president of marketing. "Our digital film camera solution enables colorists to work with 4k and other resolutions natively and interactively to achieve the premium quality demanded by commercial and motion picture directors. Direct interaction with camera raw files is the future of the digital film workflow, and Digital PowerHouse introduces this capability at an excellent price-performance point."
Digital PowerHouse is available in three different software-and-hardware configurations based on da Vinci's R-200, R-300, and stereoscopic R-3D and R-4K color grading systems. The bundled technologies allow colorists to scale their workflows to use any quality setting from the best (4096 x 2048 native "premium" resolution at 24fps debayered) to the quickest (quarter-resolution at 24fps non-debayered). A software-only option (Option DP0) is available to all Resolve and R-series customers with active support agreements. The single-server configuration (Option DP1) provides faster decode speeds on R-200 through R-350 series systems, while the dual-server configuration (Option DP2) supports near instantaneous decoding and real-time performance on the R-4K system.
"The elegant simplicity of the da Vinci digital film solution enables colorists to take RED files directly from the camera's hard drive, load them on a SAN, and immediately begin grading," Lyon said. "Whether they grade in full- or partial-resolution and at a certain frame rate depends on their hardware configuration. Regardless of this configuration, Digital PowerHouse allows colorists to access the RED Raw files interactively, leveraging the entire dynamic range of the image data. Alternative technologies leave a portion of color behind during conversion, limiting grading to a more narrow range of color and density."
Additional benefits of the Digital PowerHouse system include the ability to:
˘ Leverage Resolve's direct-to-SAN interface for simplified file management, versioning, and disk storage requirements.
˘ Obtain real-time performance with the best quality possible by using the native RED Raw format and da Vinci's legendary Transformer(TM) technology.
˘ Conform directly from RED files using absolute or edge timecode.
˘ Read Avid(TM) or Final Cut ProÂ® EDLs with long reel names for conforming and selects grading.
˘ Convert file formats from RED Raw to DPX, as well as several other formats.
More information on Digital PowerHouse and da Vinci's full line of color grading systems is available at www.davsys.com or by visiting da Vinci at the 2009 NAB Show, booth SL3314.
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About da Vinci SystemsÂ®, LLC
da Vinci Systems, a JDS Uniphase company, is the leading provider of color enhancement and image restoration products used in post-production facilities worldwide. Incorporating the company's EmmyÂ® Award-winning technology, da Vinci's products support SDTV, HDTV, data, and digital film. Since the introduction of the company's first color corrector in 1984, da Vinci has been a front-runner in the field of image enhancement, shaping color enhancement into the vital role it holds in post-production today. The company is headquartered in Coral Springs, Fla., with offices in Los Angeles, New York, London, France, Germany, and Singapore.
Related Keywords:da Vinci, RED Raw, Digital PowerHouse