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Sound but no Space...?
Despite the bias of critical thinking, analysis and certainly
production focus on the visual elements of cinema over the aural there
is none who would deny the sheer power of a soundtrack, in all its
forms, to make or break a movie. Ted Pigeon over at '
The Cinematic Art
' offers up a two part mini (part 1
and part 2
) essay on cinema sound with a focus on music that provides much food for thought.
Teds argument also centres on a narraowness of sound perception
attached to emmotional responses and signal flagging to the audience
non-diegetically the drama of a scene.
Source:Digital Media Online.
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