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Programs Broadcast in Dolby Digital 5.1 Win Emmy Awards

Take awards for Outstanding Sound Editing and Mixing Categories (September 21, 2004)

The Academy of Television Arts and Sciences awarded five Emmys in the Outstanding Sound Editing and Mixing categories to television programs broadcast in Dolby Digital 5.1 audio.

Dolby Digital 5.1 audio has become a significant component in the creation and delivery of high-quality television programming. Dolby's sound format continues to earn industry recognition for superior sound quality, with nine programs in Dolby Digital 5.1 audio nominated this year in sound-related categories. Five were awarded Emmys for "Outstanding Single-Camera Sound Mixing for a Miniseries or Movie," "Outstanding Sound Editing for a Series," "Outstanding Sound Editing for a Miniseries, Movie, or Special," "Outstanding Sound Editing for Nonfiction Programming (Single or Multi-Camera)," and "Outstanding Sound Mixing for Nonfiction Programming (Single or Multi-Camera)."


"We are delighted that many programs broadcast in Dolby Digital 5.1 audio have been acknowledged by the Academy with Emmy awards and nominations," said Tom Daily, Marketing Director, Professional Audio, Dolby Laboratories. "Dolby continues to advance its products to help producers create top-quality programs that enhance the entertainment experiences in the home."

The 56th Annual Primetime Emmy Awards was broadcast internationally from the Shrine Auditorium in Los Angeles on September 19, 2004. The sound category Emmy award winners were announced on September 12. Those winners whose programs were broadcast in Dolby Digital 5.1 audio include:

Outstanding Single-Camera Sound Mixing for a Miniseries or a Movie
Angels In America, "Part 2: Perestroika" HBO; An Avenue Pictures production in association with HBO Films Lee Dichter, Re-Recording Mixer Ron Bochar, Re-Recording Mixer James J. Sabat, Production Sound Mixer

Outstanding Sound Editing for a Series
Deadwood, "Deadwood" (Pilot) HBO; Red Board Productions and Paramount Television in association with HBO Original Programming Lawrence Mann, Supervising Sound Editor Steven H. Flick, Sound Editor Mark Larry, Sound Editor Benjamin Cook, Sound Editor Takako Ishikawa, Sound Editor Samuel Crutcher, Sound Editor Devin Joseph, Sound Editor Kevin Wahrman, Sound Editor Carmine Rubino, Sound Editor Micha Liberman, Music Editor Amy Kane, Foley Artist Anita Cannella, Foley Artist

Outstanding Sound Editing for a Miniseries, Movie, or Special
And Starring Pancho Villa As Himself HBO; A Mark Gordon Company and City Entertainment production in association with HBO Films Geoffrey G. Rubay, M.P.S.E., Supervising Sound Editor Zack Davis, M.P.S.E., Supervising Sound Editor Tony Lamberti, M.P.S.E., Sound Editor Dave Williams, Sound Editor Karen Vassar, Sound Editor Bruce Tanis, M.P.S.E., Sound Editor Carey Milbradt, Sound Editor Lou Kleinman, Sound Editor Dave Williams, Sound Editor Allan K. Rosen, Music Editor Nicholas Viterelli, Music Editor Joshua Winget, Music Editor Michael Lyle, Foley Artist

Outstanding Sound Editing for Nonfiction Programming (Single or Multi-Camera)
Dinosaur Planet, "Alpha's Egg; Pod's Travel" Discovery Channel; Evergreen Films for Discovery Channel Michael Payne, Sound Supervisor Stephen Robinson, M.P.S.E., Sound Editor Nancy Kyong Nugent, M.P.S.E., Sound Editor David Esparza, Sound Editor Patrick Cusack, Sound Editor Lisa Varetakis, Sound Editor Dean Grinsfelder, Sound Editor Sean Rowe, Foley Artist Gregg Barbanell, Foley Artist

Outstanding Sound Mixing for Nonfiction Programming (Single or Multi-Camera)
Dinosaur Planet, "Alpha's Egg; Pod's Travel" Discovery Channel; Evergreen Films for Discovery Channel Michael Olman, C.A.S., Re-Recording Mixer Kenneth Kobett, C.A.S., Re-Recording Mixer


About Dolby Laboratories
Dolby Laboratories creates technologies that intensify and enhance the entertainment experience. For nearly four decades, Dolby has been instrumental in defining high-quality audio and surround sound in cinema, broadcast, home audio systems, cars, DVDs, headphones, games, televisions, and personal computers. Based in San Francisco with European headquarters in England, the privately held company has entertainment industry liaison offices in New York and Los Angeles, and licensing liaison offices in Hong Kong, Shanghai, Beijing, and Tokyo. For more information about Dolby Laboratories or Dolby technologies, please visit
www.dolby.com.

 


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Related Keywords:Dolby, Dolby Digital 5.1, Emmy Awards, The Academy of Television Arts and Sciences, Outstanding Sound Editing and Mixing, Tom Daily, Dolby Laboratories, surround sound,

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