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Mastering Engineer Joe Lambert Joins TrutoneNext generation mastering engineer joins Trutone?s new NYC mastering complex (May 02, 2005)
Joe Lambert one of the most prolific and multi-faceted ?next generation mastering engineers, recently joined Trutones new NYC mastering complex. At a time of significant change for the studio world, the move underscores the significance of expert mastering skills. ?Its not just a question of EQ and volume, Lambert says, ?the entire context of a recording needs to be carefully considered. Low cost options for computer, DAW and plug-in mixing have given many new artists and producers a false sense of security and empowerment. My clients have been amazed at the dramatic improvement in sound quality after professional mastering.
During his five-year tenure at NYCs Classic Sound Studios, Lambert accrued a uniquely eclectic discography. His credits range from KD Lang, Twisted Sister, John Lee Hooker, Jefferson Airplane, The Fiery Furnaces, The Fugs, and Martha Reeves to the cast recording of Fiddler On The Roof! ?Its hard to imagine a more diverse client base, said Trutone co-founder Adrianna Rowatti. ?Weve always prided ourselves on our ability to master any style of music, from rap to jazz and Latin, but Joe has really run the gamut. He approaches mastering as an exercise in listening, not just to the music, but to the artist and producer. He can read a clients artistic goals and improve the sound and structure of every project, no matter how raw or polished.
?Trutone has built a terrific reputation over the past 25 years, Lambert says. ?Id reached a career point where a move made sense. Mutual friends suggested I contact Carl Rowatti. We hit it off immediately and I was very impressed with their new studios. Acoustically, theyre perfect. Its probably not coincidental that architect John Storyk designed both Trutone and my former home base.
Lambert brought in a Pro Tools HD to address the multiplicity of file formats and to compliment his primary Sonic Solutions High Density Mastering system. The studio was already outfitted with Ampex ATR-102 and Studer A-80 tape decks, boasting dual quarter and half-inch head stacks, each offering its own distinctive character. Trutone technology was further augmented with the addition of Prism Dream AD-2 and a pair of new Lavry M.DA 824 converters for monitoring.
Trutones in-house tech guru Carlos Cordero performed extensive modifications on their vintage Neumann SP-78 Mastering console to facilitate the addition of the Manley Stereo Variable MU compressor - mastering version; Manley Massive Passive, and a ?fantastic-sounding Weiss EQ1 MK 2 digital EQ. ?I was really happy to find a Sontec EQ here, Lambert says, ?its an irreplaceable tool. That, coupled with Pultec EQH-2 tube EQs epitomize the best combination of the high-tech and vintage gear. This studio represents my fantasy mastering room.
Two of Lamberts initial projects at Trutone were The Last Cathedral, by Violet, an indie rock group produced by Adam Lasus, and Sondheim Sings, a compilation of 30 years of Stephen Sondheim playing and performing demos of his most unforgettable work. ?Tommy Krasker, president of PS Classic, the label releasing the anthology was ecstatic with the sound of the finished master, Lambert reports.
Trutone co-principal and mastering wizard Carl Rowatti, points to the seismic shifts in NYs recording studio scene coupled with a marked increase in new projects as catalysts for bringing Lambert on board. ?With the closing of a number of long-established studios weve begun to see a substantial surge in our business, he says. ?We needed a high-caliber mastering engineer, and Joes decision to move here was extremely timely. I was also pleased to find him genuinely interested in adding analog disk cutting to his roster of client services. This Trutone specialty represents a substantial portion of our overall business. ?Were very glad to have him on our team.
?The demand for vinyl is growing broader than we ever anticipated. Were constantly on call by Def Jam, Island Records, Caroline and many top Latin artists and dance club DJs. In fact, we just purchased three additional lathes from the Hit Factory. The closing of that legendary studio has also provided us with another top engineer, Rowatti concludes. ?Tippy Tarochione (pronounced tar-g-on-e). In his nearly seven years at The Hit Factory, hes engineered for such artists as: Usher, Pink, Ludacris, Amerie and Glenn Lewis. Hes bright and talented, and he really rounds out the Trutone family.
Located at 321 West 44th Street in NYC, (former home of the historic Record Plant studios,) Trutone also maintains a Hackensack, NJ pressing plant and Music On The Run, a busy store front operation in midtown NY which provides same day CDR, DVDR dupes as well as promo materials for local artists and producers.
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