Feature: Page (1) of 3 - 09/10/01 Email this story to a friend. email article Print this page (Article printing at MyDmn.com).print page facebook

Level Headed

Nominal Level (explained) plus an SV-3700 modification By Eddie Ciletti
Interfacing a DAT recorder with a mixer, a piece of outboard gear or a cassette deck isnt always quite as easy as it should be. In the analog-only daze, it was simply a question of "plus4," "minus10" and 0VU. This month, a gain structure modification for the Panasonic SV-3700 (post D-to-A converter) will help you understand ? and manipulate ? the "nominal" operating level. But first, a word from our sponsor?

It's The Juice
Why are there so many different reference levels? Quite simply, it's a matter of juice. If a device runs from a 1.5 volt battery it can only deliver a maximum level of not-quite 1.5 volts peak-to-peak and that's with lots of distortion. But assuming 1.5vp-p, that turns into a half a volt RMS which is about -8dBu, max. You'll need 14 or so dB of headroom, now the nominal operating level is down around -22 dBu, which is in the neighborhood of a passive guitar or bass. What's dBm? Think of the "m" as the "meat" factor. A device so specified can deliver its juice into a 600 ohm load. The "u" in dBu implies that the load impedance is unspecified and is likely to be high, around 10k-ohms.

Level Headed
When the analog meter in Figure-1 indicates 0VU, the device to which it is connected will output its standard (nominal) operating level. For professional and consumer recording equipment, the standards are +4dBu and 10dBV, respectively. But what about the bar graph display above? On a stock SV-3700, Panasonic chose a point 18 dB below Full Scale (fs) as their reference. That its not the same on every brand and model of DAT machine can cause problems when interfacing with analog equipment. On the DA-98, Tascam allows the user three choices: -20 dB, -18dB and -16dB.

The "location" of the reference level determines headroom ? the distance in dB before clipping (0dBFS) needs no translation. From the reference level to the noise floor is another story based on the number of bits, quality of D-to-A converter, circuit design and printed circuit board (PCB) layout. A tone recorded at the reference level will generate the "nominal" output.

Unbalancing Act
One idiosyncrasy of the SV-3700 occurs when shorting either pin 2 or pin 3 of the XLR to ground. This old-fashioned unbalancing method applies to transformers but it can reduce headroom on some "active-balanced" circuits such as those used in the SV-3700. To "safely" unbalance, use ground and one signal pin and leave the other signal pin unconnected. The output will be 6 dB lower but the signal will not distort.

Here come the numbers?
The balanced output amplifiers of the SV-3700 can deliver a maximum signal of +24dBu (+18 dBu). Numbers in ( ) indicate the output when operated in the "safe" unbalanced mode. The gain structure is set to deliver +22dBu (+16dBu) when the recording level is 0dBfs. (Doing the math: 18 dB above +4dBu is +22 dBu.) Remember that the amplifiers feeding pin 2 and pin 3 can only deliver +18dBu "max." With only 2 dB of headroom, under normal circumstances, operation in the "unsafe" mode will attempt to add 6 dB of level, 4dB above "max." Yee-ouch! This means any signal recorded within 4 dB of Full Scale will distort the output amplifiers. The Sidebar explains how electronic numbers are born...

Page: 1 2 3 Next Page

Related Keywords:digital audio, analog, meter, voltages, interface, DAT recorder, matching levels, mixer, balanced, unbalanced

Content-type: text/html  Rss  Add to Google Reader or
Homepage    Add to My AOL  Add to Excite MIX  Subscribe in
NewsGator Online 
Real-Time - what users are saying - Right Now!

Our Privacy Policy --- @ Copyright, 2015 Digital Media Online, All Rights Reserved