Tutorial: Page (1) of 2 - 01/02/03 Email this story to a friend. email article Print this page (Article printing at MyDmn.com).print page facebook

Inner Outer Key

Your Chromakey alternative By Stephen Schleicher
In the past I have proclaimed how the Color Difference Key in Adobe After Effects was the best all purpose keyer in the After Effects gallery of plug-ins. There are some limitations to the Color Difference Key effect; especially when it comes to keying whispy, smoky elements, or when you donít have a chromakey background to begin with. In many cases, the Inner Outer Key effect will be able to help you out.

The Inner Outer Key effect is one that many people shy away from when they see that it doesnít approach keying in the same manner as other keying plug-ins. Instead of selecting a color or color range, the Inner/Outer Key uses user defined masks to define the areas that need to be keyed.

The Outer mask that is created can be thought of as a garbage mask - simply define that area outside of the foreground subject that contains the background color.

The Inner mask is a way of defining the color ranges of the foreground subject. You donít always have to make the Inner mask conform to the exact shape of the foreground subject, but it can help by reducing the amount of "extra" work you have to do after telling After Effects which masks are which.

It is fairly straight forward process. Letís take a look at two examples.

In the first example, we have some smoke against a blue screen. With the traditional Color Difference Key effect, you run the risk of keying out the whispy portions of the smoke, leaving only the main smoke column.

The smoke foreground layer against a blue backdrop.

With the Color Difference Key, the smoke almost completely keys out making it invisible against a colored background.

By using the Inner Outer Key, the fine details of the smoke plume are maintained.

The inner mask (red) and the outer mask (yellow) define the range that After Effects will key out.

The smoke keys much better than the Color Difference Key, creating a much better final effect.

Page: 1 2 Next Page

Related Keywords:after effects, production bundle, inner outer key, keying masks, schleicher

To Comment on This Article, Click HERE

Most Recent Reader Comments:
  • Inner Outer Key by DMN Editorial at Aug. 03, 2004 11:44 pm gmt (Rec'd 2)

    Click Here To Read All Posts
    Must be Registered to Respond (Free Registration!!!, CLICK HERE)
  • [ServletException in:/common/ads/links.jsp] Unable to load class for JSP'

    Our Privacy Policy --- @ Copyright, 2015 Digital Media Online, All Rights Reserved