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Four Paths to Artistic Success

By Jeffrey P. Fisher

Many musicians try to do too many things at one time. It's a plague that affects many creative people. I feel it's the side-effect of the creative spirit -- helpful when you require the muse and destructive because you never finish anything (or burn out trying). Here's a suggestion. Divide your creative life into four distinct parts. Make sure you pursue these four paths with confidence and passion. Set specific goals within these paths and update your choices as you accomplish goals and/or decide to take new directions.

(1) Choose a main or core goal for your creative career and devote most of your time, money, and general resources to reaching that goal. This objective should be the dominant work that brings you the most satisfaction. P ut simply: go make your art.

(2) Choose a secondary ambition that quenches your creative thirst. Make this more of a long-term project that you devote some attention toward finishing. Think of this as your lofty want-to-do or need-to-accomplish life goal. Don't neglect it, but don't let it greatly interfere with your main objectives.

(3) Obviously, spend energy toward those tasks that finance your lifestyle (e.g. day job, etc.). Hopefully, your core path will supply most or all of your income. If not, this other activity may be necessary. Put simply: sometimes commerce comes before your art.

(4) Find a passion outside your work for balance. This can be another creative outlet, but whatever you choose, keep it TOTALLY unrelated to the other three paths. Exercise travel, volunteering, school -- these are all fi ne choices.

Having trouble deciding the right paths? Try these two exercises. First, write the story of your life. Your past may predict your future.  Writing your biography, your life's story, is usually quite revealing. Find some quiet time, grab some paper, a pen, and begin at the beginning. To keep your catharsis on track, focus on key factors that brought you to where you are today.

Second, write about your future dreams. 1) What are your have-tos? These are all the things you must do to simply survive. 2) What are your like-tos? These are your fantasies; something you'd like to do someday, but don't  necessarily need to do them.  3) What are your real want-tos? These are those experiences you wish (and desperately need) to bring into your life. Once you've taken care of the first two (have-tos and like-tos) you can r eally buckle down and address real goals. When you complete this exercise, you'll have a clearer picture of where you want to go with your life and music career. Congratulations. You are far ahead of the majority of peopl e who ignore their need to make plans. Now comes the next hard part. How do you plan to reach all these goals and when?

Jeffrey P. Fisher works from his project studio providing music, audio, video, writing, consulting, training, and media production services. He writes about music, sound, and video for print and the Web including six books: The Voice Actor's Guide to Home Recording (with Harlan Hogan, Artistpro.com, 2004), Instant Sound Forge (VASST/CMP Books, 2004), Moneymaking Music (Artistpro.com, 2003), Profiting From Your Music and Sound Project Studio (Allworth Press, 2001), Ruthless Self-Promotion in the Music Industry (Mixbooks, 1999), and How to Make Money Scoring Soundtracks and Jingles (Mixbooks, 1997). For more information visit his Web site at www.jeffreypfisher.com or contact him at [email protected]

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Jeffrey P. Fisher is a Sony Vegas Certified Trainer and he co-hosts the Sony Acid, Sony Sound Forge, and Sony Vegas forums on Digital Media Net (www.dmnforums.com). For more information visit his Web site at www.jeffreypfisher.com or contact him at [email protected].

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