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Compression artifcats as Truth

  By digitalbasin
After the ever onward march of the cinematic form to bigger, brighter, better image clarity and quality and precision and colour stauration it seems we have taken a very interesting turn. It would seem from the surface that the better the quality of the image, the more closely it can be linked with the naked eye and the more accurate the representation of the 'natural'; the more 'truthul' an image can present to the audience...

But in a slightly closer examination it seems the century of cinema has deliver a quite inverse consttuction of truth. The more pixelated, the more artifact ridden, the more hazy, out of focus, shaky and distorted an image the closer it gest to an in-built visual association with 'truth'.

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