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Animators
looking for jobs would normally think of heading for "Tinseltown," but
the opening of Nickelodeon Animation Studios New York this month is changing
all that. The new studios are at the forefront of technology and technique,
using 100 percent desktop digital production technologies and pioneering
a new style of animation, storybook animation. This new style combines
digital images and drawings created or manipulated using Adobe Illustrator
and Adobe Photoshop with live action footage of actors, composited together
using Adobe After Effects. With the launch this month, Nickelodeon has
become the largest producer of animation on the East Coast-and all of
the animation is created using Adobe software on the desktop.
New Levels of Creativity The
new studios extinguish any doubt that desktop-based animation tools have
come of age. Much of the animation done today for children's television
is traditional cel animation, created in Los Angeles or sent out of the
country. To maintain the highest possible level of creative control and
productivity, Nickelodeon is bringing it all in-house, from start to finish.
Using desktop computers and Adobe software should prove to be a cost-effective
alternative to sending animation outside of Nickelodeon. It also allows
Animation Directors to give direct feedback to the animator and see immediate
results. Best
of all, shots, characters and elements can be archived and accessed later
for re-use on future cartoons. The ability to archive digital files keeps
Nickelodeon's property safe, and alleviates worries about the quality
of the images or footage degrading over time. The digital files are archived
as layered Photoshop files, so designers can bring up the file and quickly
adjust color, lighting, positioning and other factors to fit the needs
of the new shot. Without the ability to re-use artwork, Nickelodeon would
have a difficult time accomplishing the labor-intensive task of creating
animated shows, without sending work outside. Pioneering Productions for Preschoolers Currently,
production at the new studio is focusing on two shows: Little Bill, an
innovative new television show being launched this Fall that is 100 percent
animation, and the popular Blue's Clues, an engaging, educational show
for preschoolers that is now going into its fourth season. An Engaging Experience A
show that is 100 percent animation, Little Bill engages children not only
through good story lines, but also through rich, colorful textures that
are scanned in and manipulated using Photoshop. Real cloth is often scanned
into Photoshop and used as the basis for clothing. Cotton might be used
for clouds. Using real textures brings the show to life for children,
as does the depth of the animation. Instead of using two-dimensional characters
that move in two dimensions, Little Bill's characters move in three dimensions
- forward and back and side to side. The result is that the show is more
engaging for children. Like
all Nickelodeon productions, Little Bill begins with a heavy dose of research
to be sure that children learn while they view. The actual production
of the Little Bill show begins with hand-drawn art and photographic references,
which are then scanned into Photoshop or Illustrator. For street scenes
especially, designers take advantage of the precision of Illustrator to
line up buildings, cars and other scene elements before bringing the scene
into Photoshop. In Photoshop, elements are combined and colors and lighting
are adjusted to ensure that the scene will have maximum impact and will
animate properly. Animators then use After Effects to animate the scene
and synchronize voice-overs with the characters' lip movements.
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