FEBRUARY 10, 2004
Behringer's DDX3216 Digital Mixer
A 16-fader unit at around the price of an eight-fader controller
By Glenn Bucci
Page 2 of 2

Screen Display
The DDX3216 has LED meters right next to each fader, another advantage compared to some of its competition. This also keeps the price down, since you don't need to add a meter bridge. There is an option to select hold times for the peaks. The unit also has additional LED meters which show the output through the master fader. The screen display, though not as large as the Yamaha or TASCAM, is of a decent size, and everything displayed is clear and easy to understand. There are also six rotary knobs below the screen to adjust all the settings.

The unit lacks a jog wheel and dedicated transport controls. It would have been nice to include a jog wheel right above the preset display.[an error occurred while processing this directive]
SPECIFICATIONS

Mono inputs 1-12

Microphone input

Type

electronically balanced, discrete input stage

Connector
XLR

Gain
+10 to +60 dB (PAD = -20 dB)

Input impedance
approx. 1,5k O @ 1 kHz

THD + Noise
0.05 %, 20 Hz to 20 kHz, +60 dB gain, -42 dBu at input

Max. input level
+1 dBu (minimum gain)

S/N ratio
95 dB, 20 Hz to 20 kHz, gain 1, 0 dBu at input

Equivalent noise
-90 dB, 20 Hz to 20 kHz, input termination: 150 O

Crosstalk
< -85 dB (channel 1 against channel 2), +60 dB gain, -42 dBu at input


Line input

Type
electronically balanced


Connector
1/4" TRS connector


Gain
-10 to +40 dB (PAD = -20 dB)


Input impedance
approx. 16k O @ 1 kHz


THD + Noise
0.02 %, 20 Hz to 20 kHz, +20 dB gain, -20 dBu at input


Max. input level
+24 dBu (minimum gain)

S/N ratio
92 dB, 20 Hz to 20 kHz,
gain 1, 0 dBu at input

Equivalent noise
-88 dB, 20 Hz to 20 kHz, input termination: 150 O

Crosstalk
< -90 dB (channel 1 against channel 2), gain 1, 0 dBu at input
   

 

 

System specifications

Sampling rate
44.1 and 48 kHz (internal and external)


Signal delay
<1.6 ms at 48 kHz, channel input
against main out

Frequency response
20 Hz to 20 kHz, +/- 0.1 dB


Faders

Type
100-mm ALPS motorized faders


Resolution
+12 from 0 to -oo dB (256 increments)

A/D converters

Resolution
24-bit delta-sigma AKM

Oversampling
128 times

Dynamic range
116 dB typ.

D/A converters

Resolution
24-bit delta-sigma CRYSTAL

Oversampling
128 times

Dynamic range
106 dB t

Physical

Dimensions
(H * W * D) approx. 6 1/2" x 171/4" x 22 1/2"
(163 mm x 438 mm x 572 mm)

Weight (net)
approx. 29 3/4 lbs (13.5 kg)

I was able to set up the DDX3216 with Cubase SX. I also used an RME card to interlock the DDX3216 with Cubase. Behringer has MIDI maps on its website for Steinberg and Logic products which you can download. In Cubase, you can control the faders, pan and effect level controls. There is a screen on the I/O, which gives you transport controls. Behringer advised that the solo and mute buttons on the DDX3216 also work in controlling those functions on the Logic mixer. Once you download the MIDI maps, you just have to import them into the Generic Remote.

I found the best way to use any digital mixer is to route all your DAW channels back to separate channels in the digital mixer. Then you have the capability to add the mixer's effects, use the headphone jack, the control room, and create separate mixes through the Aux outs. The meters on each channel will also light up on playback and show the signal strength.

The DDX3216 as a Controller
You cannot use the DDX3216 to directly control the mute and solo buttons in the Cubase (or Nuendo) mixer. But there is a way to work around this. When you route all your channels from Cubase into the DDX3216, this allows the solo and mute buttons on the DDX3216 to be functional. So when you push the solo or mute button, it will affect what you hear in your monitors, even though it won't affect the controls in your Cubase mixer. I found summing in the digital mixer to be just as good as doing it in the Cubase mixer. There was no degradation in quality while doing so, and it also puts less work on your computer's
CPU.

The mic pres are quiet, uncolored, and very useable. However, as with most lower end digital mixers, I would recommend getting a voice channel strip for recording vocals, bass or acoustic guitar. The Focusrite Platinum series mic pres or the Presonus pres give a little better result than those on the DDX. To bypass the DDX3216 pres when using an outboard channel strip, have the output of the unit go into the inserts on the mixer. All in all, I found the DDX3216 to be a very good digital mixer that was easy to use, at a great price. (Under $1,000).

I was very pleased with the EQ sound, which has an analog/digital blend. It is very useable in many situations, and much better than the older Yamaha digital mixers. The older digital EQs just raised or lowered frequencies. The DDX3216 has a little character where it rounds off the lows, and smooths out the highs. It is not the same as a good analog EQ, but I found it to sound less sterile than the standard EQ in Cubase.

The DDX3216 is one of the best buys for under $2,000 to work with a DAW. Behringer has updated the firmware to fix minor bugs, and also given the unit Surround Sound capabilities. Electronic Musician gave its Editor's Choice Award for mixers to the DDX3216 in 2002.

Compared to the competition, the 01V96 has better mic pres, and can record at 96 kHz (with a reduced track count). However, it lacks the metering capability, and has more limited I/O. For instance, it only has one fader knob on the entire unit, and also costs twice the price of the DDX3216. The TASCAM DM 24 is limited to two effects per channel, but like the 01V96 has better mic pres, and dedicated transport controls. It can also record up to 96 kHz. For an extra cost you can purchase the meter bridge for the DM 24.

I have found many of Behringer's more recent products to be much better than what they offered several years back. The DDX3216 is not only a good-priced digital mixer, it also offers a lot of features and quality.



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