After Effects is our workhorse
on the motion graphics, although most of the compositing we have been
doing for the first seven episodes of the show had been in FCP.
Peter Orphanos
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PROFILE
MAY
21 , 2001
Multimedia Production
on the Mac
Star
Wars Chronicled
[Page 2 of 3]
Orphmedia
uses a JVC GVD 500 and a Sony PD-150. They also have a Sony VX-2000 for
pickup. "[The] JVC GVD 500 is our main workhorse, and we couldn't
have chosen a better camera," Orphanos says. "The best thing
about it is the news lens from Fuji, and the chips really bring out the
colors. Our second camera is the Sony PD-150, which is a great deal, and
we are planning to incorporate it quite a bit more."

TFN Digital features
rotating anchors who
announce news and introduce features.
Pictured: Host Hettienne Park.
Orphanos
himself has a fairly traditional background in production, starting off
as a production assistant and working his way around the industry. He
produced The Deli, a feature that played on Showtime and the Independent
Film Channel, and he produced a movie called Sugar: The Fall of the
West. Also also worked as a production manager for the WB's on air
promos before launching Orphmedia. His clients now range from blue chips
like American Express to small Web companies.
Creative
Mac: How did the idea for a Star Wars news magazine
broadcast come about?
Peter
Orphanos: Before I started my company, whenever I thought
of video on the Internet, I always envisioned a Star Wars news
show. I saw the original Episode IV over 20 times in the theater
when I was a kid ... and I always wanted more of Star Wars. It
may have been influenced by Bloomberg TV when QuickTime 4 first came
out ('99), but it made me realize I had a chance to see what I really
felt like seeing. So in July of 2000, I contacted Scott Chittwood, the
cofounder and head of theforce.net, and we bounced the ideas back and
forth for a few months until both of us were ready to go forward.
CM:
How does TFN Digital fit into your company's plans? Is this a side
project or more of a showcase for the medium? And where do you get that
content?
Orphanos:
TFN Digital is a passion of ours, and it may be a side project (we'd
love to do this with a full blown budget), but we want to push the barriers
with it (interactive). If we are going to do a show like this for the
Star Wars fans, we want to make it the staple of Web programming.
(Besides DMN TV, which I love.)

TFN Digital reporter
Alena Kerins interviews
Mitch Cutler, owner of St. Mark's Comics in
New York. The shows usually include one
on the scene report.
CM:
What's the future of TFN digital? How would you like to see it
develop?
Orphanos:
The future is to try and push it through the barriers of "convergence"
programming.... Yes, we will be implementing some type of [inter]activity
shortly.
GO
TO PAGE [ 1, 2, 3,
Complete, Home
]
Read
More Columns.
Dave
Nagel is the producer of Creative
Mac and Digital
Media Designer; host of the Creative
Mac, Adobe
InDesign, Adobe
LiveMotion and Synthetik
Studio Artist WWUGs; and executive producer of Creative
Mac, Digital
Media Designer, Digital
Pro Sound, Digital
Webcast, Plug-in
Central, Presentation
Master, ProAudio.net
and Video Systems
sites. All are part of the Digital
Media Net family of online industry hubs.
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