“After Effects is our workhorse on the motion graphics, although most of the compositing we have been doing for the first seven episodes of the show had been in FCP.”
—Peter Orphanos

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PROFILE MAY 21 , 2001
Multimedia Production on the Mac
S
tar Wars Chronicled

[Page 2 of 3]

Orphmedia uses a JVC GVD 500 and a Sony PD-150. They also have a Sony VX-2000 for pickup. "[The] JVC GVD 500 is our main workhorse, and we couldn't have chosen a better camera," Orphanos says. "The best thing about it is the news lens from Fuji, and the chips really bring out the colors. Our second camera is the Sony PD-150, which is a great deal, and we are planning to incorporate it quite a bit more."


TFN Digital features rotating anchors who
announce news and introduce features.
Pictured: Host Hettienne Park.

Orphanos himself has a fairly traditional background in production, starting off as a production assistant and working his way around the industry. He produced The Deli, a feature that played on Showtime and the Independent Film Channel, and he produced a movie called Sugar: The Fall of the West. Also also worked as a production manager for the WB's on air promos before launching Orphmedia. His clients now range from blue chips like American Express to small Web companies.

Creative Mac: How did the idea for a Star Wars news magazine broadcast come about?

Peter Orphanos: Before I started my company, whenever I thought of video on the Internet, I always envisioned a Star Wars news show. I saw the original Episode IV over 20 times in the theater when I was a kid ... and I always wanted more of Star Wars. It may have been influenced by Bloomberg TV when QuickTime 4 first came out ('99), but it made me realize I had a chance to see what I really felt like seeing. So in July of 2000, I contacted Scott Chittwood, the cofounder and head of theforce.net, and we bounced the ideas back and forth for a few months until both of us were ready to go forward.

CM: How does TFN Digital fit into your company's plans? Is this a side
project or more of a showcase for the medium? And where do you get that
content?

Orphanos: TFN Digital is a passion of ours, and it may be a side project (we'd love to do this with a full blown budget), but we want to push the barriers with it (interactive). If we are going to do a show like this for the Star Wars fans, we want to make it the staple of Web programming. (Besides DMN TV, which I love.)


TFN Digital reporter Alena Kerins interviews
Mitch Cutler, owner of St. Mark's Comics in
New York. The shows usually include one
on the scene report.

CM: What's the future of TFN digital? How would you like to see it
develop?

Orphanos: The future is to try and push it through the barriers of "convergence" programming.... Yes, we will be implementing some type of [inter]activity shortly.

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Dave Nagel is the producer of Creative Mac and Digital Media Designer; host of the Creative Mac, Adobe InDesign, Adobe LiveMotion and Synthetik Studio Artist WWUGs; and executive producer of Creative Mac, Digital Media Designer, Digital Pro Sound, Digital Webcast, Plug-in Central, Presentation Master, ProAudio.net and Video Systems sites. All are part of the Digital Media Net family of online industry hubs.

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